Bibliography
Asihene, E. V.. Understanding the traditional art of Ghana. Rutherford [N.J.: Fairleigh Dickinson University Press, 1978.
Kasfir, Sidney Littlefield. African art and the colonial encounter: inventing a global commodity. Bloomington: Indiana University Press, 2007.
Karen McCarthy Brown, “Mama Lola and the Ezili: Theme of Mothering and Loving in Haitian Vodou,”in Unspoken Worlds, ed. Nancy Auer Falk (Wadsworth, 1989), 235-45.
Picton, John, and Rayda Becker. The art of African textiles: technology, tradition, and lurex. London: Barbican Art Gallery, 1995.
Visona, Monica Blackmun, Robin Poyner, and Herbert M. Cole. A History of Art in Africa
Upper Saddle River, N.J.: Pearson Education, Inc., 2008.
Willett, Frank. African art. New ed. London: Thames & Hudson, 2002.
Wolfe, Ernie, and Clive Barker.Extreme canvas: hand-painted movie posters from Ghana. Los Angeles, CA: Dilettante Press/Kesho Press, 2000.
Kasfir, Sidney Littlefield. African art and the colonial encounter: inventing a global commodity. Bloomington: Indiana University Press, 2007.
Karen McCarthy Brown, “Mama Lola and the Ezili: Theme of Mothering and Loving in Haitian Vodou,”in Unspoken Worlds, ed. Nancy Auer Falk (Wadsworth, 1989), 235-45.
Picton, John, and Rayda Becker. The art of African textiles: technology, tradition, and lurex. London: Barbican Art Gallery, 1995.
Visona, Monica Blackmun, Robin Poyner, and Herbert M. Cole. A History of Art in Africa
Upper Saddle River, N.J.: Pearson Education, Inc., 2008.
Willett, Frank. African art. New ed. London: Thames & Hudson, 2002.
Wolfe, Ernie, and Clive Barker.Extreme canvas: hand-painted movie posters from Ghana. Los Angeles, CA: Dilettante Press/Kesho Press, 2000.